When Frankie performed at night clubs, the audiences never
danced while he was singing. They would gather around the
stage
and watch and listen with rapt attention. Not that it was
considered
disrespectful to other singers when their audiences danced
while
they were singing; after all, salsa music is dance music and
if the
music and singing is that good, people are going to dance to
the
music. And so dancing while the band is playing is perfectly
alright
and even complimentary. But Frankie, who filled concert
halls and
stadiums, turned a night club audience into a concert
audience.
They would come to see Frankie, listen and watch him
perform.
Such was his charisma and impact on the audience.
These two performances that took place in November 1997
were just a warm-up, a beginning to what lay ahead and they
took
place before November 30, the day of his repentance and
deliverance
from santeria and his commitment to the Lord Jesus Christ.
Now Frankie had a new and exciting focus, Jehovah God and
the
kingdom to come. Of course he still wanted to sing but he
had
peace with God now. He didn't feel so driven to sing all the
time, to
accept any and every job that came along. He would be more
selective
now. He would take the assignments he really wanted to do.
Now that Jehovah gave him the new abundant life eternal
through
the gift of the Holy Spirit, his faith in Jesus God was now
the main
purpose of his living. Frankie's sight had changed. He had
new eyes
and he was seeing everything differently. He began to enjoy
the simple
things in life, something he didn't appreciate all the years
before
when he was in the darkness and was only into himself.
Frankie
was now into Jesus and Jesus was in Frankie.
A source of great comfort, encouragement and help to Frankie
during his recovery period and since his return to New
Jersey in
1993 was Rosemary's mother, Rosario. He addressed her as
"Ma"
and she treated him like a son. In retrospect, looking back
on this
whole episode involving Frankie, Rosemary and Rosemary's
mother,
Rosario and her family in Union City, it was destiny, God's
plan.
Growing up in and around Union City, Frankie was friends
with Joe,
one of Rosemary's older brothers. He used to go over to Joe's house
so he knew Mrs. Salvador as a little boy. Unbeknownst to
young
Frankie, when he was ten or eleven years old, the baby girl
in the
Salvador household would one day be his fiance.
Rosemary remembers being taken by her parents to a talent
show when she was about ten years old to see her brother Joe
perform
with his salsa band called Orquesta Nueva. Joe was the bass
player. Rosemary has no recollection nor was it of any
significance
at the time that the lead singer of Orquesta Nueva was
Frankie Ruiz.
Their lives were intertwined. Rosemary was there with
Frankie at
the beginning of his career and was with him at his side at
the end
of his life. It must've been deja vu for Frankie that at the
end of his
life, he returned to the place of his childhood. Frankie had
gone full
circle. He had returned to the place where it all began, New
Jersey,
having grown up in the cities of Patterson and Union City.
It was in August 1993 that after many years away from New
Jersey, Frankie returned to the New York-New Jersey area and
was performing at a festival in Weehawken, New Jersey at the
Hudson River's edge down the cliffs of Boulevard East with
the
New York City skyline as a backdrop. As fate would have it,
Rosemary was working at an ice cream booth at the festival
but
too preoccupied with her work to be concerned about who
would
be appearing at the music show. However, her brother Joe was
at
the festival and attended Frankie's performance afterwards
meeting
up with Frankie and subsequently reestablishing their
relationship,
for it had been about twenty years since the early days
of Orquesta Nueva. Their reuniting went so well that Frankie
offered Joe a position with his troupe as a road manager
which
Joe gladly accepted. Ironically, the date of this appearance
by
Frankie at this festival in 1993 and subsequent meeting with
Joe,
Rosemary's brother, was August 9, the very date that Frankie
would pass away five years later.
This meeting of Joe and Frankie eventually led to Joe
bringing
Frankie to visit his mother. At this time, the Salvador
family was in
mourning. Rosario's husband and father of her children,
Peter, Joe
and Rosemary had passed away just a week earlier.
Nevertheless,
Rosario greeted Frankie with the warmest of welcomes, not
letting
her grief prevent her from extending a cordial homecoming to
Frankie. There had been many years and much success for
Frankie
since the last time he had been at Joe's parent's house.
This was
surely a homecoming of sorts. In October of that year, the
realization
that twenty years away from home is a long time, strongly
impacted
Frankie when he visited Joe's parent's home and was
introduced to
Rosemary. The last time Frankie had seen Rosemary she was
about
ten years old. Frankie was apparently a bit taken aback by
this very
attractive young woman standing before him because he said
to her:
"Gee! You're all grown up!" Then he asked her, "Have you
come to
any of my performances?" Rosemary replied with no intention
to
offend, "I'm not interested in salsa music." Considering who
Frankie
was in the music world, this was a shaky start in their
first meeting.
What a thing to tell "The
Father of Salsa" but it didn't offend Frankie.
He quickly invited Rosemary and her mother to attend an
upcoming
performance at Fox's night club in Jersey City. They
graciously
accepted Frankie's invitation and proceeded to have an
enjoyable
evening, nothing occurring that would indicate a lifelong
relationship
in bloom, but it was interesting and friendly. It must have
been
very interesting for Rosemary's mother to see her children
and
Frankie together again as grownups, having seen them
together just
a few decades ago as children.
To the people who were around Frankie when he was a boy, it
was very obvious to them that Frankie was going to be a
singer in
life because he was always singing. Rosario can recall in
the late
60s when Frankie was about seven, eight years of age, how he
would go around singing the popular songs he would hear on
the
radio or at home on the record player. At this early age, he
was
showing his ability to memorize not only the words of the
songs,
but the melodies as well. Even then he was performing,
acting out
what he was saying in the song. He was already showing his
interpretive
and improvisational talents. Rosemary's father was a member
of the El
Deportivo*, a softball team
sponsored by the bar of the
same name, which was located on 26th
Street and Central Avenue in
Union City. Being part of a softball league required the
teams to
play some of their games on the road and visit the
neighboring
towns. The team would charter a couple of buses and they
would
make a family outing out of the day; team members bringing
their
families and food for the picnic. Frankie would seize the
opportunity
having a captive audience on the bus and would happily
entertain
all, singing away, standing up in the aisle for long periods
of time.
The performance didn't stop when he was tired either cause
his
younger brother Viti would take over center stage and he
would
join in singing. Sometimes his other brother Junito would
also join
in making it a trio. One could imagine what it must've been
like on
a four-hour bus ride with the singing salsa brothers
performing with
the dynamic energy of children. It must've been something.
In
telling me this story Rosario seemed to imply that some of
the tired
adults were happy when the boys got tired and went to sleep.
Frankie's very close cousin Becky Cintron, who throughout
Frankie's life was more like a sister, recalled that during
a period
of their early years when they were living with their
grandmother
in Mayaguez, Puerto Rico, at times Frankie would declare
with the
utmost certainty, "I'm going to be a famous singer! I'm
going to be
a famous singer!" When Becky mocked him teasingly expressing
her doubt that he would ever be famous, he would get annoyed
and start beating on pots and pans with a spoon creating the
rhythm section to accompany his even louder singing which
would cause his grandmother to demand that Frankie stop
making
all the noise and be quiet. Frankie would respond defiantly
with more pot and pan percussions and louder singing
declaring,
"No, I won't be quiet! I'm going to be a famous singer! I'm
going to
be a famous singer!" At seven years of age, Frankie knew
that he
was going to be a famous singer.
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